Equipment

The main thing to know is that your specific lens on your camera body will make the picture seem more zoomed-in than the numbers say. The 18-135mm lens actually works like a 27mm-to-202mm lens. This is great because you can get tight close-ups of Billy's crazy face or the teacher's pain without getting too close to the action. This zoom power will make the comedy look intense.

Because your camera has a great sensor, you can get a sharp picture where the person you're focused on is clear, but the ugly, clean background is slightly blurry. This makes Billy look like the most important thing in the shot. The big zoom range is also really helpful because you can shoot the wide shot of the whole hallway and then quickly zoom in for a close-up of the finger pointing without stopping to change lenses. This lets you keep up with the fast, chaotic filming without missing anything. (hopefully)

Location Scouting

 we already have our locations but here:

The Interior Setting 

To achieve the normal look, the crew films only parts of the school with standard floors and neutral walls (basic tile, institutional colors). This makes the school look boring, helping Billy's chaos stand out. Existing fluorescent lighting casts a harsh, flat light on the actors. A simple keypad sticker on a regular door act as the fake "scanner" for the pranks.

The Exterior Setting 

The park is used for the escape and the new school. the crew uses its wide, simple paths. Billy "prancing out" is filmed Low Angle against the open sky to make him look powerful. All the adults look like total losers in their cheap, tight suits, which the harsh light emphasizes when they look pathetic.

Film Scheduling

Piper High School focuses on prop-heavy scenes and intense close-ups. The Morning is dedicated to the Teacher Humiliation, getting all tight shots of the sign and the teacher's crying face first. Midday covers the Montage of Pranks in the wide, empty hallways. The Afternoon is for the Expulsion Sequence and crucial Close-Ups of Billy's maniacal laugh and Weenie's ugly scowl.

Westwind Park handles movement and open-air scenes. The Morning begins with the Victorious Exit, shooting the Low Angle Shot of Billy "prancing out" against the open sky and delivering the final wet willy. Midday uses a Telephoto Shot on Principal Weenie across the park to set up the New School Introduction. The Afternoon concludes with The Showdown/Chase, capturing the chaotic action (Billy jumping on Dillan's back) and the frenetic chase using the Dutch Tilt before the final wrap.

Casting

 

Lead Roles (Ages 15-17 to Play High School)

Billy Badass: Needs high, manic energy and expressive features for the Extreme Close-Ups of his maniacal laughter and goofy faces. Should have a natural, confident swagger despite his messy appearance (designer hoodie/ripped jeans). Must be believable performing simple, aggressive physical comedy.

Dillian: Should look slightly older or "cooler" than Billy, but still clearly follow his lead. Needs an air of self-importance. Must be comfortable being seen with "his newest selection of girlfriends" without looking like he actually cares.

Authority Figures (Ages 30-50)

Principal Tyrone Daquavious Weenie: This is a key comedic role. Needs a face that can easily form a grotesque, "hideous scowl" that looks funny under the harsh lighting. Must be willing to look ridiculous, wearing a cheap, ill-fitting suit and performing the frenetic, undignified chase scene. The actor must sell the cartoonish anger.

The Teacher: Should be physically non-threatening and look easily overwhelmed. Needs to look convincingly pathetic while hanging by his tighty-whities and delivering a loud, exaggerated scream of pain after being kicked.

Voice & Extras

The Narrator: A deep, gravelly, overly dramatic voice is essential. Must sound like a B-movie trailer announcer who is taking the high school drama way too seriously.

Students/Extras: Need a few extras to play the easily shoved student and the victims of the wet willy. Dillian’s girlfriends should be simple background characters, dressed in trendy clothes to contrast with the chaos but easily forgotten.

Mise-en-Scene

 The mise-en-scène for this 2025 comedy about Billy Badass needs to rely on simple, sharp visual contrast between the boring, clean school and Billy’s chaotic actions. The school’s design is all about making the "nice" parts of modern architecture look totally lame and easily messed up. The entire setting is supposed to be aggressively sterile and super expensive, which makes it satisfying when Billy trashes it. The environment is boring and empty, floors are polished concrete, and the wide hallways are lit by harsh, bright LED strips. This sterile look means Billy's props—like expensive, specialized crickets or a hacked digital display used for the humiliating sign, stand out as simple, direct tools of destruction.

All the grown-ups have to look like losers, so Billy looks cool by comparison. The teachers and Principal Weenie wear tight, uncomfortable "smart casual" clothes like bad vests or ill-fitting blazers with annoying accessories like a bright keycard lanyard. Principal Tyrone Daquavious Weenie has to look the worst: a cheap, shiny suit that's too small, making his gross scowling face look even uglier under the harsh LED lights. The way they shake in their lame clothes shows they are losers who are super easy to overpower, justifying every single stupid, mean thing Billy does to them.

Color/Lighting

 The school itself will use a cold, flat color palette—mostly gray, white, and cold blue—to make it look like a hospital or an office building. This clean, sterile background makes Billy, who should wear a loud, warm color (like a bright red hoodie), visually pop right off the screen. The lighting is harsh and flat, coming from bright LED strips overhead, which is perfect for casting sharp, unflattering shadows that make the adults’ sad, scowling faces look extra pathetic.

During Billy’s pranks, the lighting gets a little more fun. When he’s being a "badass," he gets a bright rim light from the harsh LEDs that makes his outline glow, showing he's the powerful one. The disgusting mess he creates, like a handful of crickets, is often filmed in a close-up that uses slightly unflattering, yellow-Ish light to make the chaos look even grosser. The whole visual point is that the ugly, bright lighting and cold colors make the boring world look like it deserves to be messed up.

Storyboard

The story starts with a Wide Shot showing the whole clean, empty hallway as Billy starts his pranks, immediately establishing the contrast between the sterile setting and the chaos. The physical comedy relies on Medium Shots to clearly show the main action (like stringing the teacher up), immediately followed by Insert Shots that zoom in tightly on the humiliating details, such as the Sharpie-written sign, the finger pointing during the expulsion, or the "wet willy." The camera will use a Dutch Tilt during the misdemeanor montage and the final chase to make the action look unstable and fast.

To maximize the comedic effect, Close-Ups are vital; they zoom right in on the actors' faces to push the joke. You'll use the telephoto end of the lens for tight shots on Billy’s maniacal laughter and Principal Weenie's ugly scowl, making their expressions fill the entire screen. Finally, the camera uses Low Angle Shots when Billy is walking out and when he fights the principal, shooting from below to make him look powerful and superior—like the "badass" victor—against the sad, defeated adults.