Research P4

The story stars Billy Badass, a hero who is cool, skilled, and loves to fight. The humor comes from his casual violence and the non-heroic reactions of everyone he encounters. Billy's simple goal is blocked by increasingly ridiculous goons. For the action, Billy's simple move must cause huge, ridiculous damage to the environment—a light tap sends a bad guy flying through three walls.

The location must contrast Billy's power. We use a calm place, like an Art Gallery or a Luxury Spa, which Billy easily destroys with his overwhelming force. Mise-en-scène (what you see) uses bright, high-key light, avoiding the darkness of a real action film. We film Billy’s action with smooth, powerful camera moves to show his skill; then immediately use a static wide shot to highlight the hilarious mess he leaves behind.

Sound delivers the final joke. We use juxtaposition, giving Billy's crushing punch a small, funny noise, like a tiny squeak or a cash register kaching. We also rely on exaggerated Foley on the victims, making simple injuries sound cartoonishly painful—a quick shove is scored with the slow, wobbly sound of a BOING. This sound design makes Billy Badass's extreme violence consistently hilarious.

Research P3

We need a strong start to our action-comedy intro, which means nailing the characters first. The genre works best when we use opposites, like a skilled but sarcastic Wisecracking Hero and a serious, Partner who panics easily. This difference creates all the tension and the best jokes. They’ll be chasing an Over-the-Top Villain whose crazy plan makes the stakes high. For our film, making this a student conflict—a chill slacker versus a stressed-out brainiac—is the perfect way to fit this classic action duo into our school setting (we are still deciding to have this or not).

To make the audience laugh and feel the action, our visuals have to mix real thrills with instant jokes. We'll use big action like Chases and fights, but they must end in funny ways or accidents. We need Weapons with a Twist—normal things used in ridiculous ways. The rule here is that all the cool action should be spoiled by slapstick or bad timing. For example, a perfect punch gets thrown, but a boring background detail (like a teacher walking by) ruins the moment.

Our locations are the High School and the Park. The school works because its strict rules make chaos look way funnier; a fight breaking out in a quiet hallway or a library gets a big laugh just from the context. The park is great for high-speed action, but it's full of funny obstacles like slides and swings that turn a serious chase into a mess. Using these everyday places and filling them with big, ridiculous spy action will instantly set the tone for our film (we probably won't do something like that, but I just needed to write something).

Research P2

The photography in action comedies is really important because it shows both the action and the jokes. Camera angles can make fights or chases look exciting or funny. For example, a close-up on a character’s shocked face can make a scene hilarious, while a wide shot can show the full chaos. How the camera moves—like quick pans or smooth tracking—also changes the energy of a scene.

Lighting and colors matter too. Bright colors and lighting make scenes feel fun and over-the-top, while darker lighting makes action seem more serious. Some movies use bold colors or filters to make moments more dramatic or silly. Even small things, like shadows or reflections, can add humor or intensity. Watching movies like Rush Hour or 21 Jump Street shows how lighting and colors help set the mood.

Angles and editing work with the photography to make scenes work. Quick cuts can make fights or chases feel fast and funny. Slow-motion shots can make dramatic moves look hilarious. Zooms or unusual camera views can highlight jokes or reactions. By paying attention to the camera, cinematographers make sure every scene is clear, exciting, and funny.

Research P1

 Action comedies are awesome because they mix crazy energy with funny moments. To make one, filmmakers have to balance big action scenes with jokes that keep things light and fun. The best ones don’t take themselves too seriously, even during intense fights or chases. The funniest parts usually come from how the characters react when things get wild—like when someone freaks out or cracks a joke at the worst time. Movies like Balls of Fury, Rush Hour and the Ridiculous 6 show how good pacing and timing can make that mix work perfectly.

Another big part of action comedies is "timing". Both the fighting and the jokes have to hit just right, or it doesn’t work. Editing is super important because quick cuts, slow-motion shots, or sudden pauses can make even simple scenes hilarious. Sound effects help too—like when a punch sounds way too dramatic or something explodes at the perfect moment. Watching behind-the-scenes clips or director breakdowns can really show how much effort goes into making "chaos" look funny.

But the best thing about action comedies are the characters. When the main characters have great chemistry, everything just clicks. A serious guy paired with a wild, funny partner can make every scene fun to watch. The humor should come from who they are, not just random jokes. That’s what makes movies like 21 Jump Street or Bad Boys so entertaining. If filmmakers study how those relationships work, they can create action comedies that feel exciting, funny, and full of personality.

Information on the film and film crew.

 Billy Badass is a wild action comedy about chaos and rebellion. It follows a teen who refuses to follow the rules. After being expelled for being too much of a “badass,” Billy ends up in a strict boarding school. The bowtie and slicked-back hair are torture enough. So, he fights back with pranks, defiance, and nonstop mischief. His chaos is bold, funny, and unforgettable.

The films crew is going to bring the madness to life. Joehl Martinez directs and handles sound, keeping things sharp and organized. Mr. Torrente produces the film. Kyan Lindo (Benji) writes the script and plans the story’s flow. I film the action; I'll especially put more effort into the fight scenes. Ryan Gadea edits everything into a quick and clean cut (hopefully). Staz and the rest of the cast that we are still looking for, but found most of, bring the fun and attitude to every scene.

At its core, Billy Badass mocks school discipline and is a teenage rebel. The battle between Billy and the headmaster, Tyrone Daquavius Weenie, drives the story. The action is wild, the humor is absurd, and every scene will hopefully feel alive. With each team members effort, the film could become a bold and hilarious take on teen chaos.

Introduction

 Hey, I’m Cayden Johnathan Daniel Williams and I’m the photographer for my group. I take pictures of what we’re working on and try to make everything look cool and clear. I like being the one behind the camera because it feels good to capture stuff that shows what we are able to do. I’m still learning how to take better photos, but I think I’m getting better every time I try. 

My goal for this class is to get better at photography. I want to learn how to take pictures that look sharp and interesting, not just random shots. I’m trying to figure out how to use light, angles, and editing to make my photos stand out. I also hope my teammates do their part so we can all pass this class with an A. It’s way easier when everyone works hard and helps each other out. 

I really want our group to stay focused and not mess around too much. If we all do what we’re supposed to, I think we’ll do great. I’m going to keep working on my photography and try to make our short film look awesome. I hope my teammates are doing the same so we can be proud of what we do.